martes, 28 de septiembre de 2010
September 2010 - A final word
lunes, 9 de agosto de 2010
August 2010
At long last, it’s good to blog again.
You know, last Friday I went to see a film in VD Tormes with my wife and son, Christopher Nolan’s latest sci-fi thriller INCEPTION, featuring a rather convincing Leo Di Caprio in the main role. I mean, like a good wine he’s maturing little by little, though still I would like to see him in a comedy role to brand him a fine actor.
Don Cobb (Di Caprio) is a skillful thief, the best in the art of extraction, stealing valuable secrets from within a person’s subconscious during their dreams, when the mind is most vulnerable. Cobb's rare ability has made him a coveted asset in the world of corporate espionage, but also a much wanted fugitive worldwide, which has cost him everything he loves, namely his family life. Eventually Cobb is offered a chance at redemption by energy tycoon Saito (Ken Watanabe). One final job could bring his life back as long as he can accomplish mission impossible: inception, which means this time his task is not to steal an idea but rather to plant a seemingly simple one on the mind of Saito’s would-be rival in the business, Robert Fisher (Cillian Murphy).
I will reveal no more in case you want to see the film (probably some of you many have done so already, haven’t you?). As the caption on the trailer further down below reads, the mind is the scene of the crime …
Now media hype (and you all know how much I hate this thing, remember Avatar?) says Inception is the film of the year (an exaggeration, I’d like to believe), Oscars’ hot favorite, blah blah blah. To me it’s just a very entertaining film, with a fine performance by Di Caprio, the haunting music by the always effective Hans Zimmer and an extremely complex and elaborate plot, with dreams within dreams that too often will make you doubt what is reality and what just a dream. And of course there’s a fast pace punctuated by lots of action and indeed plenty of brilliant visual effects (some amazing zero-gravity scenes!)
If there’s one aspect of the movie that I utterly hated was the stupid dubbing. I mean, why the heck did they bother to dub Ken Watanabe and Marion Cotilard’s voices into Spanish with a Japanese and French accent respectively? (a silly thing I’ve never quite understood) They insist on giving us dubbed versions, fine, I can handle it, but in this particular case, apart from making them sound ridiculous, it’s sometimes difficult to make out what they’re saying, especially Ken amidst the noise of action-packed scenes. Why don’t they try to reproduce, for example, Cillian Murphy’s “Irish” English accent, if you see what I mean? Ludicrous!
Running at nearly 2 and a half hours, in my humble opinion the film seems to drag a little at the end, which is often the case with these complicated plots that the directors refuse or simply don’t know how to close, though the final scene opens the gate for a sequel, you know what Hollywood is like: Ka-ching! And I guess the massive box-office success across the globe (the VD room was nearly packed) guarantees at least one.
Seen the film yourselves? Fancy giving an opinion? Give it a go, guys!
domingo, 4 de julio de 2010
July 2010
I am not really fond of politics and it doesn't awaken my interest either but I am really aware of human rigths and Apartheid in South Africa means to me a terrible, unforgivable mistake.
It's a fact that every single leader commits errors, as they aren't infallible; moreover, very often they have conflicts of interests, hidden reasons and so on. In contrast, Mandela was, in my humble opinion, a deeply honest politician who only wanted to unify a country divided by colours. It is a great "leitmotiv", isn't it?
For me, there is a quote which summarizes his style of life: "I am the master of my fate, I am the captain of my soul".
Then, of course, there's Rafa's brilliant performance against Czech giant Thomas Berdych, this time narrated by Australian journalist Justin Armsdem (notice his distinctive accent?)
Enjoying the summer, are you? As for me, my days are rather uneventful for the time being. My wife works mornings, my daughter has just gone to a summer English camp, my son plays the guitar like mad and then hangs out with his mates in the afternoon / evening. Then there’s a bit of football now and then, as Spain continues its World Cup quest. Also these days I’ve been still busy at work, and I won’t end my tasks until Wednesday.
Now, Ana said in her latest comment on our blog that she doesn’t want it to die just yet. So I made up my mind to write something, not much I guess, for this new month so that I may encourage you to give it a go. So here I go again:
You know, a couple of days ago I was listening to BBC radio 2 when this song came up. An instantly recognisable classic, the kind of tune you’ve inevitably heard before. Many might remember it though the film Midnight Cowboy, that unorgettable Oscar-winning 1968 film starring Dustin Hoffman and Jon Voight.
Whatever the reason, it’s the kind of song you will hear again and again tirelessly. I love its anti-urban lyrics, which tell the story of someone who seems unable to connect with his peers and wishes to leave for the ocean and the summer breeze. I also like the haunting acoustic guitar’s finger-picking and Nilsson’s melodic voice.
Here is the Youtube excerpt of the original black and white videoclip plus the lyrics scroller. Hope you enjoy it!
Keep clicking guys!
domingo, 6 de junio de 2010
June 2010
18th June
Morning guys!
On D- day, your drowsy teacher wishes to uplift you before the exam with the example set by the Lord of the (NBA) RingS, Sir Pau Gasol. Yes, the Lakers have just beaten their eternal rivals, the Boston Celtics in a thrilling, nail-biting defensive game 7, and Pau keeps making history. This is the official NBA summary of the game:
Now, Kobe Bryant (who else) won the MVP - Most Valuable Player, for those who are unfamiliar with the sport's jargon - Award, but don't let yourselves be deceived by NBA's media hype: The key player in this final game, if not in the whole series, was Pau, and believe me, I'm not driven by absurdly fanatical patriotism. I'm just so proud of our fellow countryman, such a talented player but, most of all, an intelligent, charismatic young man. Listen to his articulate speech in perfect English during the post-game conference:
I believe we shouldn't overestimate the importance of sports stars, but in this case, whether we like it or not, Pau (like Nadal) provides, on and off the court, our youth with invaluable inspiration.
See you in a bit, folks! And the best of luck for the exam ...
16th June
Hi folks! A day like today, 50 years ago, my favourite film of all time was premiered, Alfred Hitchcock's Psycho. I'm not exaggerating the slightest bit if I say that I've seen this gem so many times - both in English and in Spanish - that I've lost count, but to this day it still makes my hair stand on end.
One of the most recognizable movies in cinema history, to me it is the ultimate psychological thriller, with a perfect well-rounded plot, a blood-curdling music score, convincing performances, especially by a young Anthony Perkins as the mentally unstable motel-owner Norman Bates, but, first and foremost, Psycho's highlight is the extraordinary directing by the master of suspense. Shot in black and white, the effective use of dramatic close-ups and imaginative camera angles fills the spectator's soul with a mixture of angst and horror.
Whether you have or not seen the film, I needn't tell you the storyline. This short one-and-a-half minute trailer says it all. A must-see masterpiece!
The movie's iconic scene, and undoubtedly one of the most famous in cinema history, is the so-called "shower scene", which immaculately depicts the cold-blooded murder of Marion. As an image is worth a thousand words, this is the clip of the complete scene: 3 minutes of sheer cinematic genius (while legend has it that it took nearly a week to shoot!), punctuated by the screeching, chilling sound of violins. S-C-A-R-Y!
Finally, I couldn't help embedding another YouTube excerpt. You see, many people still believe that good old Alfred was American, as most of his illustrious career was pursued in the US. But actually, though he had adopted American citizenship only a few years before Psycho was shot, he remained a British subject all his life and was knighted by Queen Elizabeth shortly before his death in 1980. He was a Brit through and through and I've always loved his Victorian accent (notice how he pronounces the word "poor" when he utters the sentence "Here we have a poor little motel, tucked away off the main highway, and as you see perfectly harmless-looking ...") but, above all, his dry sense of humour, as can be seen in this very personal, absolutely hilarious trailer of the film. Enjoy!
I should end up saying that The Bates paranoia, as I call the film, was a revelation to my young eyes when I firstly saw it in the late 70s, as it indeed had a huge impact on me. It never won an Oscar (though I reckon it was nominated) but when someone asks me what my favourite film of all time is, I'll barely hesitate a second before I answer, with a somewhat morbid smile on my face: "Psycho, no doubt!"
June 6th
Well, come June it's time to say goodbye ... or is it? Surely lessons are over and done with, so we won't be meeting in our cosy classroom on Tuesdays and Thursdays, or emailing one another that often, but that doesn't mean we should lose contact, does it? So rather than a "goodbye" this must be a "see you soon". Even if I don't happen to be your teacher next year (hopefully in C1!), can't we still keep in touch?
The thing is that we've come a long way since we met and started a new term last October. We've spent 30 plus weeks as a bunch of people sharing - I hope - our passion for English but also, more importantly, getting to know each other. You know, we've been sort of a big " family", working together, laughing together, sometimes even getting away from the four walls to go for a drink. I can only say I've grown fond of each and every one of you, because for me getting to know my students and trying to build up a "class chemistry" is my top priority, and has always been. Of course teaching is my job, but surely we can all make the best and the most of a language class if we can feel comfortable with whoever is around us, either the teacher or the classmates, don't you think?
Gosh, I'm delivering yet another of my "tear-jerking" speeches, awfully sorry! Just let me say thank you for being a great group and I only hope you will remember this year, your classmates, even your teacher FONDLY.
Maybe what I'm going to do is kind of tacky, but will you let me embed one final song. You know, I couldn't help thinking of this classic hymn to friendship by Queen called Friends will be Friends.
So, I want to publish something to encourage you guys, related again to basketball. The last entry was Obama's interview, remember? He was saying that our Pau Gasol is the best big man in the league. Well, you may have heard that Gasol's L.A. Lakers started on Thursday their quest for a second NBA ring against their archenemies, the Boston Celtics, one of the greatest rivalries in professional sport. You see, Pau had a great game, with 23 points and 14 rebounds, and the next morning on the official website of the NBA I came across this interesting interview that you can find down below. It's a one-on-one, up-close and personal, with famed sports broadcaster and former American football superstar Ahmad Rashad.
This time the Catalan player talks about other aspects of his life. He's deemed by AR a national sports hero in our country, "the Michael Jordan of Spain". Among other things, Pau remembers how he could have been a doctor and admits to being an ambitious guy ("There's nothing impossible", he says). Also he refers to the bond he's developed with teammate Kobe Bryant and his "hunger" for a 2nd NBA Championship in a row. Interestingly enough, he claims he doesn't fit into one of those "one-dimensional stereorypes" professional sportmen are often associated with and, as an example, acknowledges his passion for opera. AR even reminds us of his recent cameo role in CSI. All in all, Pau Gasol is a tremedously talented basketball player, but above all a very intelligent person. And how about his fluent, articulate English? A model to imitate, don't you think? Hope you enjoy the feature! Keep blogging mates!
domingo, 9 de mayo de 2010
May 2010
Ana Navarro opens a new month with these reflections on Sue Pennington's talk (from Life Lines) in class this week:
SUE TOLD US ABOUT DEATH ROW AND I WAS DUMBFOUNDED:
Last Thursday I was surprised to know about this organisation called Life Lines and I think that Sue was the most suitable person in the world to tell us about it.
As the death penalty is a controversial issue, Sue did not dare talk about it. Only when she was asked about her opinion that President Obama may bring about a change in relation to this issue, did she say that maybe he won’t do anything because of his fear to lose votes in the next presidential elections. I would say that her goal was simply telling us about the organisation she belongs to rather than her opinion about death penalty. Without any kind of doubt she was really tactful.
As I have already said, Sue’s goal when coming to meet us was just to let us know about “Life Lines”. So she told us about the nature of it, how she first heard of it and her experiences while writing letters to different prisoners.
As regards the nature of the organisation, she told us that it is a religious one whose main aim is to help prisoners on death row overcome as well as possible the time they remain in this spooky situation.
She got to know about it in the church she usually goes to. She did not start corresponding with Harry right from the moment she knew about the organisation. Only after she helped Harry type a book he had written, did she decide to start corresponding with him. By the way, Harry, as you may have deduced, was the first prisoner Sue corresponded with.
In relation to her experiences, she told us about the people she has been or is still corresponding with, an example being the above-mentioned Harry.
Before ending, I would like to say that the way Sue told us about something as sinister as death row was as if she were telling us a tale before going to sleep, thanks to her soft, melodic voice. In addition, it was not difficult at all to understand her talk as she speaks English without an accent, what is known as BBC English.
Thanks a lot, Ana. I'm delighted you liked Sue's talk so much that it encouraged you to even write these comments. Indeed Sue's commitment to death row prisoners is an act of selfless devotion and deserves all the praise we can think of. She looks like a warm-hearted person, doesn't she, and her words sounded so sweet.
Well, I guess I must embed Bruce Springsteen's Dead Man Walking to put the icing on the cake, so to speak. Such an inspirational song, don't you think?
And the lyrics fit the film's plot completely, word by word ...
martes, 13 de abril de 2010
Abril 2010
April 13th
lunes, 1 de marzo de 2010
The Music Spot (part II)
May 6th
Antonio says:
Well, in order to write a review of the song I will tell you first that I don’t “control” too much about English music reviews - it’s my fault! - and serves me right for not revising the topics which focused on Macy Gray (pages 24-25 of Cutting Edge). I also regret not having fulfilled all the written tasks we were asked to do by José Luis on its day (I pull my hair!!). I didn’t do hardly anything!
Well, putting aside my semi-joke, I will say that I especially love 80’s music; and I love the sweet clear female voices which appeared in that decade, namely, Sandra, C.C. Catch, etc. They continuously speak about love and the word you come across the most is “night” or “tonight”, which I love!! What’s more, when I listen to a piece of music sung by this sort of singers (girls, I mean), speaking about love or a similar issue, plus the precious utterance “night” / “tonight”, I get very moved and energetic (kind of a contradiction, don’t you think?). I imagine myself patrolling the streets on foot at night, and, during my walk, helping people with problems (I mean, concrete situations, imagine a person who falls down and needs someone to help them, for example)
I know this is way too weird to understand, but let my feelings come out …
OK, thank you for your attention.
March 7th
You know, a few days ago I was watching A3’s news bulletin when Matias Prats read the news that it was 70 years, no less, since Frank Sinatra had had its very first hit. So the TV channel played a dull report on the glorious artist, as usual full of corny cliches, such as his alleged crime links with to the mafia, his political views, his condition of a womanizer, blah, blah, blah. But what made me upset is that they always seem to play the same obvious and trite songs, namely New York, My Way and Strangers in the Night, which to me are among some of his most "average", however famous they may be in Spain (and indeed across the world). I mean, they depict an old Frank, well past his prime (very much like Elvis in his Vegas period), when actually he sang, literally, hundreds of marvellous songs who very few know.
You see, I regrettably discovered Sinatra in my late twenties, thanks to a very influential secondary school English teacher I had, my always remembered Juan Antonio Carrascal, who later became a close friend until a terrible disease took his life some years ago. Indeed I had heard of Sinatra but never paid much attention to his music (apart from the classic hits, New York and stuff). That was until he recorded for me on a modest 4-cassette pack (those were the days!) a collection by the name “100 songs in the life of a man”, which I still preserve like a treasure, for the sentimental value, certainly not the sound quality, as the original source was an old turntable. He was shocked I couldn’t possibly appreciate Frank’s music as it deserved. And damn right he was!
Well, those tapes were like a revelation to my ears: soon I started to love Frank’s masterful phrasing, his crystal clear English (I keep telling my students, as did Juan Antonio to me, that they’re a hopeless case if they cannot understand his words … and that music, well, the glorious “swinging” jazz sound that grabs you by the throat and never lets go.
But I will let the music by “Ol’ Blue Eyes” (as he was sometimes nicknamed) speak for itself. I’ve chosen, just because that’s the song I listened to on BBC radio 2 which triggered off all these memories, a 1957 classic, representative of, to my modest opinion, his best period, the so called Capitol years (when he signed a contract with the namesake record company): Witchcraft, a beautiful love song with short yet powerfully romantic lyrics that can only be described with two words: sheer class!
Wow, I guess I’m making this too long. Just let me end up by saying that I hope this latest addition on our music blog will arouse in some of you the curiosity for this universal artist … Enjoy!
March 1st
March 2010
25th March
After a 2-week stretch Ana has written a small review on our blog, this time of a 2000 film directed by Stephen Daldry, Billy Elliot:
Durham (Northern England), 1984. Eleven-year-old Billy Elliot, whose father and brother are miners on strike and whose mother died not long ago, attends boxing lessons after class, but what he really likes is the girls’ ballet lessons.
Living in a gruff family, with the exception of his grandma, who lives unaware of reality, his secret new love for dancing is a difficult issue for him. Nevertheless, he doesn’t give up pursuing his hidden dream.
Taking everything into account, Billy Elliot is a film such a hard (yet also sweet), moving and captivating film that you can’t stop watching it until the very end.
It's official: David beat Goliath. Or, in other words, Katherine trashed her former husband James last night in Tinseltown (Hollywood, that is).
Fittingly enough, on International Woman's Day, she's made Hollywood history by becoming the first female director to win the coveted award for The Hurt Locker, which practically swept the board with six Oscars. Now, I haven't seen the action-packed war epic, but I'm starting to wonder, is it that good?
The thing is that, contrary to what all the media hype - and the generally entusiastic response from audiences across trhe globe - had anticipated, the film of the century, the groundbreaking 3D extravaganza, the smashing box office hit, whatever you call it, Avatar, had to make do with three modest, minor technical accolades (best visual effects and cinematography, indeed). You know, I kind of feel sorry for poor Mr Cameron and guess I surely cast a bad spell on his flick ... not bloody likely! I still feel Avatar is overrated, presumptuous, overambitious ... a mediocre story with a spectacular wrap, so Cameron and his big-budget film got what, in my humble opinion, they deserved. Mind you, not that I think much of the Academy members' artistic judgement and assessment, as they could have chosen Tarantino's glorious Inglorious Basterds as a perfect alternative to the Hurt Locker. Or Precious, for that matter. Or Up in the Air, or even the fantastic animated cartoon Up. The small consolation is that Cristoph Waltz (such an extraordinary performance as the bloodthirsty colonel in "I.B.") won the much anticipated Oscar for best supporting (¿?) actor. Then both the critics and the public quite agree too that Jeff Bridges deserved to win, at long last, an award for his great portrayal of a run-down country singer as much as for his long illustrious career. What I cannot understand is the nod to Sandra Bullock (or Sandra Botox, as she is nicknamed sometimes), whose acting (or rather "overacting") I've always abhorred.
Spainwise, Pe(nelope) left the Kodak Theatre empty-handed so she couldn't kiss her lovebird, Javier Bardem, in front of the US audience (that would have been something for our country's gutter press!). The nearest our cinema reached glory, so to speak, was the award for best foreign language film to Argentina's El Secreto de sus Ojos (a wonderful film, I hear), whose statuette was presented head to head by Tarantino and our one and only Pedro Almodovar.
You must wonder if I stayed up all night long to watch the ceremony as it happened ... well, no. And, according to TV critics, I must have done the right thing because apparently it was dull, slow, BORING TO DEATH. I just watched the opening act with Steve Martin and Alec Baldwin (reasonably funny but not brilliant) and then went to bed until 5:35 more or less when I woke up just in time to watch the last two awards and quickly flick though the ceremony's highlights ...
Wow, this is indeed coincidence! Guess who I've just spoken to on the phone? Juan Heras, the Van Dyck owner, who wanted to talk to my colleague Benimar about the forthcoming fim week the school organizes regularly. And as she was halfway through her lessons, he gave me the "inside" information: the "ciclo" will take place in April, from the 19th to the 22nd and then from the 27th to the 29th. And guess which film, one that both he and I love, will be shown among other titles: that's right, Inglorious basterds! It would be long to put down in words the 6-minute conversation we've just had about Avatar, this year's Oscars, but pretty interesting all in all ...
Ok, so as I was saying, I've recorded the whole ceremony, which once edited you'll be able to see if you wish, for the sake of English of course. And one more thing I haven't forgotten: I have to check your Oscar ballots to see who has won the competition...
Gosh, this is really a lenghty email (may I have set a new Guiness record, ha ha!). Sorry mates for the "sermon"!
See you tomorrow
Jose Luis
PS: I reckon writing a review of The Hurt Locker on our blog is a must now. Anyone who's seen the film willing to do so? In the meantime this is the trailer, if only as a small tribute by our modest blog to the ... film of the year?
Mª Jesús says:
A prophet is a gripping prison drama, where the main character is a young guy, Malik, who starts his six-year imprisonment in a French prison. He is an illiterate orphan, born in France to Arab parents, but he is extremely clever and sharp. He meets very different kinds of people inside the prison and he learns many interesting and useful things from each one.
Malik learns to write and read inside the prison. Later, he learns economics and languages, because different languages are mixed in this story. The characters speak French, Italian and Arabic. Malik realizes that it is very important to understand the different groups of criminals if you want to survive inside. So, the prison becomes his "school", which is a paradox.
Mainly, he becomes the servant of a Corsican gangster, who virtually runs the jail. On the other hand, he meets an Arab, who encourages him to study in prison. He will become his best friend and will trust him. He also meets a typical gypsy drug dealer.
In this way, the main character changes mentally as the years go by inside the prison. In this "school", he develops a criminal education rather than his moral rehabilitation.
I recommend you A Prophet despite being a bit violent, as it engages you. Besides, I think that the film shows the realistic situation of the prisoners both inside the jails and when they are released, specially because on many ocassions these guys are unemployed immigrants, and the society is unable to rehabilitate them.
March 7th
It's barely 12 hours before the Oscars ceremony begins in LA. Fittingly enough, Roberto has sent a short review of what could be one of the "dark horses" of the night, a truly harrowing film called Precious:
The film tells the story of Claireece Precious Jones, an obese 16-year-old black girl who lives in Harlem with her selfish mother. She discovers her second pregnancy (she has already had a Down syndrome daughter) as a result of being constantly raped by her father. No one actually loves her but in her mind there is another world where she is appreciated, which helps her to go on with an otherwise very hard life.
She begins to go to a new school where a nice woman teaches her to read and write, apart from accepting her as a person. From now on she is prepared to fight and begins a new life with her two children.
Precious is a disturbing film with a very moving script, but the main attraction is the female acting (Gabourey Sidibe as Precious and Mo’Nique as her mother). They are both nominated to the Oscars and Mo’Nique is the odds favorite to win in the supporting actress category (she really does a very good job so she is my favorite as well).
March 1st